La vehemente gestualidad del espigado Pablo González consiguió precisión y elocuencia, emocionando durante todo el concierto.
Standing out was young conductor Pablo González, who was attentive to every silence and every cue for the entire symphony orchestra, weaving and managing this tonal revolution
[Pablo González] provided the score [Madama Butterfly] with a symphonic feel that greatly benefited the musical discourse. Ample and varied dynamics, richness in timbre and a deep engagement from the Oviedo Filarmonía were all key elements
González conducted Richard Strauss’s spectacular tone poem [Thus spoke Zarathustra] with an eloquent narrative thrust, elegant phrasing and a solid understanding of the composer’s architecture
González instilled greatness into a work [Verdi’s Requiem] that combines, in equal percentages, lyric emotion, expressive sincerity and spirituality void of rapturous mysticism
González approached Bartók’s Concerto for Orchestra successfully and in a very unique way
Pablo González, receptive, flexible, gave the reins to the soloist [Arcadi Volodos] but he remained attentive and close [...] A vigorous reading by Pablo González [...] Little by little the work that this tenacious and patient conductor has been doing with this orchestra ever since he arrived is showing. It won’t be long before it shines through in all its glory.
A calm and paused, yet unstoppable career”
He has a clear idea about where he wants to go and he communicates it effectively and through limpid language
The London Symphony Orchestra weekend in Madrid had a protagonist: Pablo González